I captured my Koch Powertone II EL34 without cab. Add your own IR.
Reamp values are all over the place because I experimented with different values. Boost Ch3 captures with TS to get a tighter metal sound. Amp is a bit on the flubby side and all captures are bright. Decreasing is always easier than adding presence, in my opinion.
The Powertone is very flexible. Ch1 has a bright input and a 3-way bright switch. Ch2 and Ch3 have a midshift switch for changing treble pot frequency from 2khz (mid-) to 800hz (mid+). Speaker Damping affects poweramp/cab interaction I think. Low is very flubby, Ultra-low a little less, and High is tighter with more compressed mids.
I created these with Humbuckers in mind. But they also work great with singlecoils (except clean channel maybe). My reference IR was York Audio Kerry Wright Mix 1 or 7.
Vol= Channel Volume, P= Presence, B=Bass, M=Mids, T=Treble, Master = Master Volume
Here are my settings:
Koch Powertone II Ch1 EoB HB 150standard
Cln Bright Input, Vol 4, B2, M5, T6, Bright Mid, Damping High (150 Standard, ESR 0,00186)
0,427V (with -10 Sinewave in DAW) = 4.82dBu
Koch Powertone II Ch2 Boost Input 700
Ch2 Gain 6, Vol 4, Midshift-, P6, B1.5, M7, T3, Master 4, Damping Low, Marshall 1960BV as load, tapped DI (700 Standard, ESR 0.005458)
1,61V (with -10 Sinewave in DAW) = 16.35dBu
Koch Powertone II Ch2 Crunch Midshift 700
Ch2 Gain 3, Vol 4, Midshift+, P3, B3, M3, T6, Master 4, Damping UltraLow, Marshall 1960BV as load, tapped DI (700 Standard, ESR 0.001884)
0,854V (with -10 Sinewave in DAW) = 10.84 dBu
Koch Powertone II Ch3 B Adv. 500Lite
Ch3 Gain 10, Vol 4, Midshift-, P5.5, B1.5, M7, T3, Master 4, Damping Low, Marshall 1960BV as load, tapped DI (500 Lite, ESR 0,0186)
0,854V (with -10 Sinewave in DAW) = 10.84 dBu
Koch Powertone II Ch3 DI 700
Ch3 Gain 10, Vol 4, Midshift-, P6, B2.3, M7, T3, Master 3.2, Damping Ultra Low, Marshall 1960BV as load, tapped DI (700 standard, ESR 0.2366)
0,854V (with -10 Sinewave in DAW) = 10.84 dBu
