TONE3000

Providence Stampede DT Overdrive Distortion

Pedal Capture

NAM

baal's avatar

baal

6 days ago

Description

Providence Stampede DT Overdrive Distortion Samples: Output 1 – Output 12 o’clock / Gain 12 o’clock / Bass 12 o’clock / Treble 12 o’clock Output 2 – Output 12 o’clock / Gain 3 o’clock / Bass 3 o’clock / Treble 3 o’clock Output 3 – Output 12 o’clock / Gain 3 o’clock / Bass 9 o’clock / Treble 12 o’clock Output 4 – Output 12 o’clock / Gain 3 o’clock / Bass 12 o’clock / Treble 9 o’clock Output 5 – Output 12 o’clock / Gain MAX / Bass 3 o’clock / Treble 12 o’clock Output 6 – Output 3 o’clock / Gain 3 o’clock / Bass 12 o’clock / Treble 12 o’clock Output 7 – Output 3 o’clock / Gain 3 o’clock / Bass 3 o’clock / Treble 9 o’clock Output 8 – Output MAX / Gain MAX / Bass MAX / Treble MAX Signal chain: Sweep Signal – DAW (Cakewalk Sonar) – Focusrite 18i8 3rd gen – Harley Benton GC cables – Boss pedal switched off (reamp box) – the sssnake patch cable – Providence Stampede DT – Harley Benton GC cables – Focusrite 18i8 3rd gen – DAW (Cakewalk Sonar) – Reamped Sweep Signal Specs of the pedal: Controls: GAIN, OUTPUT, TREBLE, BASS Connectors: 1/4-inch phone jack x 2 (INPUT and OUTPUT), DC 9V input jack (AC adaptor jack) Power Supply: 9V battery or AC adaptor Power Consumption: DC 9V, 20mA approx. Dimensions: 115(D) × 73(W) × 50(H)mm Weight: 250 g approx. (Not including battery) Few words about the pedal found on the official website of Providence: “The result is hard-hitting distortion with a big low end that is similar to what you'd expect from a large amp stack driven hard. Gain and tone controls make it possible to dial in anything from a natural crunch to fuzzy, dirty distortion, providing a broad spectrum of tones that can add new dimensions to your music.“ Few words about the company found on hotroxuk dot com: Providence Ltd. is a Japanese manufacturer renowned for its high-quality, handcrafted guitar and bass effects pedals. Established in 1995, the company has built a reputation for producing pedals that prioritize tonal purity, durability, and innovative features. Each unit is meticulously crafted in Japan, reflecting Providence's commitment to excellence. I’ll create more samples based on request. For more info leave a comment or send me an email to: baalrecords.official@gmail.com

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Models

Each model captures the gear at specific settings.

ESR: 0.002

Epochs: 400

Dry/Wet

Standard

Captured on

Tone3000 - NAM Captures and IRs

ESR: 0.0032

Epochs: 400

Dry/Wet

Standard

Captured on

Tone3000 - NAM Captures and IRs

ESR: 0.0024

Epochs: 400

Dry/Wet

Standard

Captured on

Tone3000 - NAM Captures and IRs

ESR: 0.0064

Epochs: 400

Dry/Wet

Standard

Captured on

Tone3000 - NAM Captures and IRs

ESR: 0.0028

Epochs: 400

Dry/Wet

Standard

Captured on

Tone3000 - NAM Captures and IRs

ESR: 0.006

Epochs: 344

Dry/Wet

Standard

Captured on

Tone3000 - NAM Captures and IRs

ESR: 0.0194

Epochs: 178

Dry/Wet

Standard

Captured on

Tone3000 - NAM Captures and IRs

ESR: 0.0041

Epochs: 400

Dry/Wet

Standard

Captured on

Tone3000 - NAM Captures and IRs

ESR: 0.003

Epochs: 400

Sweep Signal

Standard

Captured on

Tone3000 - NAM Captures and IRs

ESR: 0.0023

Epochs: 400

Sweep Signal

Standard

Captured on

Tone3000 - NAM Captures and IRs

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License: T3K

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