TONE3000

Providence Stampede DT Overdrive Distortion

Pedal Capture

NAM

baal's avatar

baal

5 months ago

Description

Providence Stampede DT Overdrive Distortion Samples: Output 1 – Output 12 o’clock / Gain 12 o’clock / Bass 12 o’clock / Treble 12 o’clock Output 2 – Output 12 o’clock / Gain 3 o’clock / Bass 3 o’clock / Treble 3 o’clock Output 3 – Output 12 o’clock / Gain 3 o’clock / Bass 9 o’clock / Treble 12 o’clock Output 4 – Output 12 o’clock / Gain 3 o’clock / Bass 12 o’clock / Treble 9 o’clock Output 5 – Output 12 o’clock / Gain MAX / Bass 3 o’clock / Treble 12 o’clock Output 6 – Output 3 o’clock / Gain 3 o’clock / Bass 12 o’clock / Treble 12 o’clock Output 7 – Output 3 o’clock / Gain 3 o’clock / Bass 3 o’clock / Treble 9 o’clock Output 8 – Output MAX / Gain MAX / Bass MAX / Treble MAX Signal chain: Sweep Signal – DAW (Cakewalk Sonar) – Focusrite 18i8 3rd gen – Harley Benton GC cables – Boss pedal switched off (reamp box) – the sssnake patch cable – Providence Stampede DT – Harley Benton GC cables – Focusrite 18i8 3rd gen – DAW (Cakewalk Sonar) – Reamped Sweep Signal Specs of the pedal: Controls: GAIN, OUTPUT, TREBLE, BASS Connectors: 1/4-inch phone jack x 2 (INPUT and OUTPUT), DC 9V input jack (AC adaptor jack) Power Supply: 9V battery or AC adaptor Power Consumption: DC 9V, 20mA approx. Dimensions: 115(D) × 73(W) × 50(H)mm Weight: 250 g approx. (Not including battery) Few words about the pedal found on the official website of Providence: “The result is hard-hitting distortion with a big low end that is similar to what you'd expect from a large amp stack driven hard. Gain and tone controls make it possible to dial in anything from a natural crunch to fuzzy, dirty distortion, providing a broad spectrum of tones that can add new dimensions to your music.“ Few words about the company found on hotroxuk dot com: Providence Ltd. is a Japanese manufacturer renowned for its high-quality, handcrafted guitar and bass effects pedals. Established in 1995, the company has built a reputation for producing pedals that prioritize tonal purity, durability, and innovative features. Each unit is meticulously crafted in Japan, reflecting Providence's commitment to excellence. I’ll create more samples based on request. For more info leave a comment or send me an email to: baalrecords.official@gmail.com

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IR
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Models

Each model captures the gear at specific knob settings.

A2-FullESR: 0.0023

A2-LiteESR: 0.0058

500 Epochs

Dry/Wet

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0113

A2-LiteESR: 0.0185

500 Epochs

Dry/Wet

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0033

A2-LiteESR: 0.0104

500 Epochs

Dry/Wet

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0025

A2-LiteESR: 0.0123

500 Epochs

Dry/Wet

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0053

A2-LiteESR: 0.0157

500 Epochs

Dry/Wet

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0238

A2-LiteESR: 0.0351

500 Epochs

Dry/Wet

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0038

A2-LiteESR: 0.0076

500 Epochs

Dry/Wet

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0017

A2-LiteESR: 0.0084

500 Epochs

Dry/Wet

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0023

A2-LiteESR: 0.0117

500 Epochs

Sweep

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0029

A2-LiteESR: 0.0141

500 Epochs

Sweep

Captured on

Tone3000 - NAM Captures and IRs

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