Fender Super Reverb 1965 - Edge of Breakup - A2

Name: Fender Super Reverb 1965 - Edge of Breakup - A2
Brand: TONE3000
SKU: TONE3000-fender-super-reverb-1965-edge-of-breakup
Availability: InStock

Amp + Cab Capture

NAM

1 Models

AmalgamAudio

1mo

Description

Get the full DI + IR capture pack for this amp here: https://amalgamcaptures.com/platform/nam/ Subscribe to our NEWSLETTER to be in the loop on new releases! AMP SETTINGS: V3.5 T4 M4 B2.8 CAB: Fender Super Reverb 4X10 CTS MICS: R121, R160, U87 DESCRIPTION: When guitarists talk about the American amp sound, a lot of the time they will have the tones of a 1965 Fender Super Reverb engrained in their heads as a reference. Arguably some of the best clean and edge of breakup tones attainable, a standout pedal platform and a unique drive character that is smoother than its british counterparts. Ideal for Blues, Jazz, Country, Pop, Rock, P&W and countless other genres where this amp has been a staple.

Makes and Models

Fender Super Reverb 1965

https://amalgamcaptures.com/product/fndr-bfsr/

Preview

0:00 / 0:00

Model

Input

NAM Models

Each model captures the gear at specific knob settings.

A2-FullESR: 0.0067

A2-LiteESR: 0.0182

400 Epochs

Sweep

cal.

Captured on

23 Comments

krunotom

Sounds great on my Valeton GP200. Thank you guys, excellent job.

lfranz

Muy bueno!

larousse94

thanks you man!

valentinodaniel09

Great sound on my Mooer GE200

nathanevans1234321

Sounds great

metalheart

No problem here with properly set up calibration to my input specs. Nice capture.

yellow

I have the same problem of very low output. On blackStar beam mini. It’s similarly low as your fender iconic clean. To have an idea, your vox and Gibson 19 and 200 nam I run on gain 5 volume 5. This fender and the iconic I need to set to gain 8 volume 10 to get to similar level. Thanks for your efforts and the great captures!

nashteleverb

Beautiful edge of breakup tones. Playing with a Les Paul (I don't have an SG) you can get very close to Derek Trucks' tone in a variety of ways like the Dimed BRI or Lead Bal TMY KLN captures. I know Derek plays without pedals but some of the captures with pedals can help make up for the sustain you would get if you were in the room with a loud amp. You can play around with the input and output on the NAM Gateway player to influence the tone as well. The Fuzz tones are very musical and work really well with slide. It is also a great pedal platform (e.g., Chase Tone Secret Preamp, Fairfield Circuitry ~900, KoT, etc.). Another favorite amp of mine. *Note: I bought the full version of the amp.

feedbacker

(edited)

Very low output and dynamics. I will change my comment when/if there are changes.

License: T3K

Users may download and use the data file in software and publish the resulting outputs without royalties or restrictions. However, they may not upload, republish, or distribute the data file without the author's permission.

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