

Fender Super Reverb VB Crunch BAL DI
Amp Head Capture
NAM

amalgamaudio
3 years ago
Description
SETTINGS VB CH: V6.5 T7 M5 B3.5 DESCRIPTION ATTENTION! Core DI sets contain the main tones (bright, balanced and warm EQ settings) for the particular amp. Expansion DI set contains additional tones (thin, fat and scooped EQ settings). Core DI sets contain close mic'd IR cabs, Expansion DI sets contain "amp-in-a-room" IR cabs that need an external IR loader for the full 1-2 second length of the files. The "amp-in-a-room" IR's are meant to bixed in with the close mic'd cabs for extremely realistic room sounds. This 50W class AB 6L6 based circuit is the amp that has defined what is most associated with "american tone". It is best known for its legendary sparkly and slightly scooped tone, which is instantly recognizable and also works really well with pedals. It gets a nice break-up without the help of pedals and it sounds brighter and a bit scooped compared to the "british tone" camp. This particular unit is almost 100% original with the exception that 2 of the power supply filtering caps have been replaced. The previous owner had rehoused it into a head, which makes it all the more practical for us. It has been used by an endless list of artists, some notable names of which would be: Stevie Ray Vaughan, Mike Bloomfied, BB King, Muddy Waters, Robben Ford, Philip Sayce, Dereck Trucks, Ronnie Earl. The capture set features captures of the Vibrato and Normal channel. The vibrato channel has a mid control and an additional gain stage due to the reverb recovery stage and the normal channel is bigger/fatter sounding
Makes and Models
1965 Fender Super Reverb Black FacePreview
Models
Each model captures the gear at specific settings.
Standard
License: T3K
Users may download and use the data file in software and publish the resulting outputs without royalties or restrictions. However, they may not upload, republish, or distribute the data file without the author's permission.