TONE3000

Marshal SV20H Studio Vintage

Amp Head Capture

NAM

6
tylawav's avatar

tylawav

1 month ago

Description

This is just a quick test before I upload my entire collection! its a newish Marshal SV20H Studio Vintage. recently serviced (its had some heavy use in my studio) treat this entire pack as a full test, feedback is absolutely welcome positive and negative. personally I'm into the single Channel HT captures. best results are with a boost signal before. its all calibrated with high precicion.

Preview

Model
IR
Input

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Models

Each model captures the gear at specific knob settings.

A2-FullESR: 0.0081

A2-LiteESR: 0.0221

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0036

A2-LiteESR: 0.0123

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0057

A2-LiteESR: 0.0147

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0071

A2-LiteESR: 0.016

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.008

A2-LiteESR: 0.0251

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0035

A2-LiteESR: 0.0102

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0049

A2-LiteESR: 0.0142

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0066

A2-LiteESR: 0.0194

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.0076

A2-LiteESR: 0.0275

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

A2-FullESR: 0.003

A2-LiteESR: 0.0061

400 Epochs

Sweep

cal.

Captured on

Tone3000 - NAM Captures and IRs

6 Comments

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Thank you! Can’t stop jamming with these.
2
Wow, this is really awesome. It seems like it’s already performing just as I expected, but I was thinking—what if I captured the clean channel, crunch channel, and high-gain channel—these three basic channels—with different drive settings for each? For example, on the Clean channel, set the volume, EQ, Presence knob, and everything else to 12 o’clock, and capture the sound with the gain set to 9 o’clock, 12 o’clock, 3 o’clock, and max. If you do the same for the Crunch and High-Gain channels, having the knobs set to 12 o’clock as a baseline makes this method really useful! It might sound a little funny to say this, but I’d really appreciate it if you could share some more detailed, high-quality captures next time. Thanks again for sharing !
2
Hi..I like this cranked tone...It has plenty of thump in the bottom end, but it has a nice sparkle in the tops...Thanks !
2

License: T3K

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